wo waren wir stehen geblieben… DRUCKE

by admin | Jul 11, 2021

wo waren wir stehen geblieben… DRUCKE

b/w contact sheets, 30,5 x 24,3 cm, 2017

Other Exhibitions

wo waren wir stehen geblieben… CDMX

wo waren wir stehen geblieben… DRUCKE

b/w contact sheets, 30,5 x 24,3 cm, 2017

Im Wald, b/w contact sheet, 30,5 x 24,3 cm, 2017

Im Bruch, b/w contact sheet, 30,5 x 24,3 cm, 2017

face down, b/w contact sheet, 30,5 x 24,3 cm, 2017

Bei den Kiefern, b/w contact sheet, 30,5 x 24,3 cm, 2017

Quelle 1, b/w contact sheet, 30,5 x 24,3 cm, 2017

Quelle 2, b/w contact sheet, 30,5 x 24,3 cm, 2017

Other Exhibitions

wo waren wir stehen geblieben… CDMX

wo waren wir stehen geblieben… I – XIII

by admin | Jul 11, 2021

wo waren wir stehen geblieben… I – XIII

b/w contact sheets, 30,5 x 24,3 cm, 2014, 2016

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wo waren wir stehen geblieben… I – XIII

b/w contact sheets, 30,5 x 24,3 cm, 2014, 2016

WO WAREN WIR STEHEN GEBLIEBEN I, DONAUPARK, b/w contact print, 30,5 x 24,3 cm, 2014

WO WAREN WIR STEHEN GEBLIEBEN II, DONAUPARK, b/w contact print, 30,5 x 24,3 cm, 2014

WO WAREN WIR STEHEN GEBLIEBEN III, KONJARIK, b/w contact print, 30,5 x 24,3 cm, 2014

WO WAREN WIR STEHEN GEBLIEBEN IV, KONJARIK, b/w contact print, 30,5 x 24,3 cm, 2014

WO WAREN WIR STEHEN GEBLIEBEN V, DONAU, b/w contact sheet, 30,5 x 24,3 cm, 2016

WO WAREN WIR STEHEN GEBLIEBEN VI, WIEN CETINJE, b/w contact sheet, 30,5 x 24,3 cm, 2016

WO WAREN WIR STEHEN GEBLIEBEN VII, MORACA, b/w contact sheet, 30,5 x 24,3 cm, 2016

WO WAREN WIR STEHEN GEBLIEBEN VIII, PODGORICA WIEN, b/w contact sheet, 30,5 x 24,3 cm, 2016

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1 x 1 x 1

by admin | Apr 12, 2021

1 x 1 x 1

International Sculpture Symposion Danilovgrad, MNE, September 2010

participants: Anna Hofbauer, Žejlko Relić, Sašo Sazdovski

Other Works

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1 x 1 x 1

International Sculpture Symposion Danilovgrad, MNE, September 2010

participants: Anna Hofbauer, Žejlko Relić, Sašo Sazdovski

One of 60 blocks, 1x1x1, marble, 2010

encounter Velibor Pavićević, Abdalla El Shazly, Dobromir Georgijev, Zlatko Čular, 2010

encounter Abdalla El Shazly, 2010

encounter Rajko Sušić, 2010

encounter Jernej Mali, 2010

encounter Zlatko Čular, 2010

encounter, 2010

encounter Dobromir Georgijev, 2010

encounter Nikola Smilkov, Jiang Jiangtao, Ištvan Balind, 2010

installing 1x1x1, 2010

1x1x1, marble, 2010

Detail, 1x1x1, marble, 2010

1x1x1, marble, 2010

sheep, Sasa Stanisic, 1x1x1, marble, 2010

1x1x1, marble, 2010, foto: Sasa Stanisic, 2012

1 x 1 x 1, International Sculpture Symposium Danilovgrad, MNE, 2010

1x1x1, marble, 2010, foto: Sasa Stanisic, 2012

Other Works

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YES AND NO – ONE IS LIKE THE OTHER, SPACIAL STROKES

by admin | Apr 3, 2021

YES AND NO – ONE IS LIKE THE OTHER, SPACIAL STROKES

BLACKBRIDGEOFF, Beijing, 13.06. – 20.06.2010

刘文涛 Liu Wentao/ 马葭 Ma Jia/ 王光乐 Wang Guangle/ Martin Wehmer/ Eddie Weki/ 闫冰 Yan Bing/ 杨心广 Yang Xin Guang/ 张新军 Zhang Xin Jun/ Anna Hofbauer

curated by Anna Hofbauer

YES AND NO / ONE IS LIKE THE OTHER refers to two aspects of the exhibition: First, an attempt to soften the opposition between painterly and sculptural practice. Secondly, a linguistic approach to art practice, with which, as in language, ambiguities can be easily created by rearranging and connecting elements that we often find difficult in material reality.
It involves the act of dissecting the wholeness of a work of art.
Each visual element that makes up the work is meaningless in itself and equal to the others. In this sense, there is no hierarchy or relationship between yes and no / green and red / thread and wood. And yet we put them together because we need a relationship.
The same is true for the different artworks as parts of the group show.
– one is like the other, and yet, in the arrangement, relationships and distinctions emerge.

Yes and No - One is like the Other, BLACKBRIDGEOFF,2010

Other Exhibitions

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YES AND NO – ONE IS LIKE THE OTHER, SPACIAL STROKES

BLACKBRIDGEOFF, Beijing, 13.06. – 20.06.2010

刘文涛 Liu Wentao/ 马葭 Ma Jia/ 王光乐 Wang Guangle/ Martin Wehmer/ Eddie Weki/ 闫冰 Yan Bing/ 杨心广 Yang Xin Guang/ 张新军 Zhang Xin Jun/ Anna Hofbauer

curated by Anna Hofbauer

YES AND NO / ONE IS LIKE THE OTHER refers to two aspects of the exhibition: First, an attempt to soften the opposition between painterly and sculptural practice. Secondly, a linguistic approach to art practice, with which, as in language, ambiguities can be easily created by rearranging and connecting elements that we often find difficult in material reality.
It involves the act of dissecting the wholeness of a work of art.
Each visual element that makes up the work is meaningless in itself and equal to the others. In this sense, there is no hierarchy or relationship between yes and no / green and red / thread and wood. And yet we put them together because we need a relationship.
The same is true for the different artworks as parts of the group show.
– one is like the other, and yet, in the arrangement, relationships and distinctions emerge.

Yes and No – One is like the Other, BLACKBRIDGEOFF, 2010