ANNA HOFBAUER

detroit1220.tumblr.com

detroit1220.tumblr.com

detroit1220.tumblr.com

Detroit, July – September 2019

detroit1220 is a travelogue that includes stories and pictures from various excursions I took by public transportation, Uber, bicycle, or on foot in Detroit and surrounding neighborhoods during a three-month stay at Hamtramck Disneyland.

One story, for example, links the estate and art collection of Eleonore and Edsel Ford to the tracks of spinning car wheels in the concrete parking lot of the infamous Eastmall, one of the world’s first shopping malls.

Another story begins with a $3 bus ride to Pontiac and ends with funky metal-coated chocolates at a Bloomfield confectionery.

visit: detroit1220.tumblr.com

detroit1220.tumblr.com

Detroit, July – September 2019

detroit1220 is a travelogue that includes stories and pictures from various excursions I took by public transportation, Uber, bicycle, or on foot in Detroit and surrounding neighborhoods during a three-month stay at Hamtramck Disneyland.

One story, for example, links the estate and art collection of Eleonore and Edsel Ford to the tracks of spinning car wheels in the concrete parking lot of the infamous Eastmall, one of the world’s first shopping malls.

Another story begins with a $3 bus ride to Pontiac and ends with funky metal-coated chocolates at a Bloomfield confectionery.

visit: detroit1220.tumblr.com

Benezzo Gozzolli Duveen brothers 01, digital image, 2019

Benezzo Gozzolli Duveen brothers 02, digital image, 2019

Benezzo Gozzolli Duveen brothers 03, digital image, 2019

Diego Riviera mural boss, digital image, 2019

Diego Riviera mural worker, digital image, 2019

Eastmall Detroit 01, digital image, 2019

Eastmall Detroit 04,digital image, 2019

Ford Estate 04, digital image, 2019

Ford Estate 13, digital image, 2019

AL FRESCO

AL FRESCO

AL FRESCO

v.esch, Kaltenleutgeben, 30.03. – 20.04.2019

Johann Groebner, Gerhard Himmer, Anna Hofbauer

AL FRESCO

v.esch, Kaltenleutgeben, 30.03. – 20.04.2019

Johann Groebner, Gerhard Himmer, Anna Hofbauer

AL FRESCO, Anna Hofbauer, Johann Groebner, 2019

AL FRESCO, Anna Hofbauer, Gerhard Himmer, 2019

wave, chicken wire, canvas, wallpaper paste, acrylics on canvas, 275 x 103 x 47 cm, 2019

pop up pier, stainless steel, wood, acrylics on canvas, variable, 2019

TWO MEN STANDING – part 2

TWO MEN STANDING – part 2

TWO MEN STANDING – part 2

out of sight, Antwerp, 02.02. – 14.04.2019

Awoiska van der Molen, Anna Hofbauer, Ibro Hasanović

Press Release by Dušica Dražić

Try to freeze this image in your mind: two men standing in a landscape. Now sink below the ground. See the sediments of the past. Add layers of culture and all the different interpretations of history and believes. This image is the starting point for the series of exhibitions Two Men Standing.

Two people, thus two images collide – an empty-handed man that walks through the landscape, looking for a place to settle. Then a man of plenty, trying to exclude the other from the land that he claims belongs to him. Law of nature and law of man superimposed.

The exhibition looks for the invisible that suddenly, temporarily surfaces, allowing us to observe where we come from and which commons we have. It looks at traces of radical redefinitions of culture being preserved within the landscape or being attributed to it.

TWO MEN STANDING – part 2

out of sight, Antwerp, 02.02. – 14.04.2019

Awoiska van der Molen, Anna Hofbauer, Ibro Hasanović

Press Release by Dušica Dražić

Try to freeze this image in your mind: two men standing in a landscape. Now sink below the ground. See the sediments of the past. Add layers of culture and all the different interpretations of history and believes. This image is the starting point for the series of exhibitions Two Men Standing.

Two people, thus two images collide – an empty-handed man that walks through the landscape, looking for a place to settle. Then a man of plenty, trying to exclude the other from the land that he claims belongs to him. Law of nature and law of man superimposed.

The exhibition looks for the invisible that suddenly, temporarily surfaces, allowing us to observe where we come from and which commons we have. It looks at traces of radical redefinitions of culture being preserved within the landscape or being attributed to it.

TWO MEN STANDING, out of sight, Antwerp, 2019

TWO MEN STANDING, out of sight, Antwerp, 2019

pop-up church, 5 stripped wooden sofa elements, 58 x 114 x 89 cm, 2018

TWO MEN STANDING, out of sight, Antwerp, 2019

Anna Hofbauer

TWO MEN STANDING, out of sight, 2019

Im Bruch, b/w contact sheet, 30,5 x 24,3 cm, 2017

Bei den Kiefern, b/w contact sheet, 30,5 x 24,3 cm, 2017

Yallation, Im Bruch (in the quarry) spruce wood, nails, stoneprint from Cannstatt travertine on paper, 143 x 93cm, 2018

Xallation, Bei den Kiefern (near pine trees) beech wood, nails, stoneprint from Untersberg marble on paper, 80,5 x 54cm, 2017