ANNA HOFBAUER

ADA IS…ANNA HOFBAUER

ADA IS…ANNA HOFBAUER

ADA IS…ANNA HOFBAUER

Ada, online exhibition, 27.03. – 14.04.2020

We had it all planned.

And then we went into covid-19 lockdown no.1 and moved the exhibition into the www. DJ FOR BOOKING CALL played a live set for the opening on a streaming platform. The chat was open for conversation and the slide show videos Windows of D. and Windows of W. opened up in everyone’s living room.

windows of D., short film, digital, 17 min, stereo, 2020

windows of W., short film, digital, 14 min, stereo, 2020

Other Slideshows

ADA IS…ANNA HOFBAUER

Ada, online exhibition, 27.03. – 14.04.2020

We had it all planned.

And then we went into covid-19 lockdown no.1 and moved the exhibition into the www. DJ FOR BOOKING CALL played a live set for the opening on a streaming platform. The chat was open for conversation and the slide show videos Windows of D. and Windows of W. opened up in everyone’s living room.

windows of D., short film, digital, 17 min, stereo, 2020

windows of W., short film, digital, 14 min, stereo, 2020

ADA IS ANNA HOFBAUER, ada online exhibition opening, 2020

Avanti trailer, animated gif, 2020

DJ for booking call, livestream, 2020

Anna Hofbauer_detroit

windows of D., still: 02hand, short film, video, 17’, sound, 2020

windows of D., still: 14, short film, video, 17’, sound, 2020

windows of D., still: 19hand, short film, video, 17’, sound, 2020

windows of W. , still: 02, short film, video, 14’, sound, 2019

windows of W., still: 08, short film, video, 14’, sound, 2019

windows of W., still: 09, short film, video, 14’, sound, 2019

Other Slideshows

avanti

avanti

avanti

10 color slides, 6×6, 2020

Avanti is part of the ongoing series “Of light that does not occur like this in nature” (Vom Licht, das so in der Natur nicht vorkommt).

The series of night shots of the characteristic neon lights was taken at an Avanti gas station in Lower Austria.

avanti

10 color slides, 6×6, 2020

Avanti is part of the ongoing series “Of light that does not occur like this in nature” (Vom Licht, das so in der Natur nicht vorkommt).

The series of night shots of the characteristic neon lights was taken at an Avanti gas station in Lower Austria.

Avanti 01, 6×6 color slide, 2020

Avanti 02, 6×6 color slide, 2020

Avanti 03, 6×6 color slide, 2020

Avanti 04, 6×6 color slide, 2020

Avanti 05, 6×6 color slide, 2020

Avanti 06, 6×6 color slide, 2020

Avanti 07, 6×6 color slide, 2020

Avanti 08, 6×6 color slide, 2020

Avanti 09, 6×6 color slide, 2020

Avanti 10, 6×6 color slide, 2020

wo waren wir stehen geblieben… CDMX

wo waren wir stehen geblieben… CDMX

wo waren wir stehen geblieben… CDMX

b/w contact sheets, 24,3 x 30,5 cm, 2020

Anna Hofbauer

wo waren wir stehen geblieben, Bosque de Chapultepec, b/w contact sheet, 30,5 x 24,3 cm, 2020

Anna Hofbauer

wo waren wir stehen geblieben, Cuilcuilco, b/w contact sheet, 30,5 x 24,3 cm, 2020

windows of W.

windows of W.

windows of W.

short film, digital, 14 min, stereo, 2020

windows of W. is based on travel notes by Maria Wuketits and images from the private slide collection of her husband Josef Wuketits which accidentally came into my possession in 2018.

From 1955 till 1990 the Wuketits family undertook numerous road trips in Austria and abroad, which they documented in detailed recordings in notebooks and on slide film.

All pictures in the short film windows of W. are reproductions from the original framed slides of the Wuketits collection. All titles and readings are translated citations from the original notebooks.

Other Slideshows

MY NAILS

MY NAILS

MY NAILS

Size Matters, Vienna, 05.12. – 13.12.2019

Anna Hofbauer, Stefanie Seibold

“There is an irony in our use of terminology here. In 1839, Talbot was very careful to refer to his various methods as ‘fixing’ – they operated very much like the fixative one puts on chalk drawings – the underlying image is still vulnerable but the artist has done something to protect it. Today we refer to these methods as stabilisation, for they impart a degree of durability to the photographic image, however leaving behind a complex residue of chemistry. Herschel on the other hand very descriptively called his use of hypo a ‘washing-out’ method.  The hypo permitted the remaining silver salts to be removed completely. But soon this careful distinction was turned on its head, and Herschel’s approach came to define the meaning of a fixer.”

(excerpt from To fix or not to fix? – Sir John Herschel’s question, posted on 22nd January 2016 by Larry J. Schaaf, https://talbot.bodleian.ox.ac.uk/2016/01/22/to-fix-or-not-to-fix-sir-john-herschels-question/)

MY NAILS

Size Matters, Vienna, 05.12. – 13.12.2019

Anna Hofbauer, Stefanie Seibold

“There is an irony in our use of terminology here. In 1839, Talbot was very careful to refer to his various methods as ‘fixing’ – they operated very much like the fixative one puts on chalk drawings – the underlying image is still vulnerable but the artist has done something to protect it. Today we refer to these methods as stabilisation, for they impart a degree of durability to the photographic image, however leaving behind a complex residue of chemistry. Herschel on the other hand very descriptively called his use of hypo a ‘washing-out’ method.  The hypo permitted the remaining silver salts to be removed completely. But soon this careful distinction was turned on its head, and Herschel’s approach came to define the meaning of a fixer.”

(excerpt from To fix or not to fix? – Sir John Herschel’s question, posted on 22nd January 2016 by Larry J. Schaaf, https://talbot.bodleian.ox.ac.uk/2016/01/22/to-fix-or-not-to-fix-sir-john-herschels-question/)

Anna Hofbauer

MY NAILS, Anna Hofbauer, Stefanie Seibold, size matters, Vienna, 2019

wave, chicken wire, canvas, wallpaper paste, acrylics on canvas, 275 x 103 x 47 cm, 2019

Doppelstern K2, b/w contact sheet, 30,5 x 24,3 cm, 2003/2019

MY NAILS, size matters, Vienna, 2019

Anna Hofbauer

Doppelstern C, color slide, slideviewer, 2019