ANNA HOFBAUER

tombola #4

tombola #4

tombola #4

New Jörg, Vienna, 15.10. – 05.11.2021

Sarah Fripon & Paul Robas, Sasha Pirker & Adnan Balcinovic, Eva Seiler & Eva Engelbert, Nadine Lemke & Marit Wolters, Constanze Schweiger & Wiener Times, Christian Egger & Anna Hofbauer

curated by Terese Kasalicky and Heti Prack

Tombola is a travelling exhibition format initiated by Terese Kasalicky and Heti Prack. Teams of artists are invited to throw their themes and media into the raffle pot, which is then reshuffled and drawn. The conditions for new artworks are thereby set and the results exhibited.

Christian Egger and Anna Hofbauer: writing & you think you know what it means

Collaborations don’t work
They don’t work, they don’t work
Collaborations don’t work
They don’t work, they don’t work
Collaborations don’t work
They don’t work, they don’t work
I’m gonna do it all by myself
I’m gonna do it all by myself

FFS (Franz Ferdinand & Sparks), “Collaborations don’t work” from the album FFS (Domino), 2015.

 

 

Other Works

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tombola #4

New Jörg, Vienna, 15.10. – 05.11.2021

Sarah Fripon & Paul Robas, Sasha Pirker & Adnan Balcinovic, Eva Seiler & Eva Engelbert, Nadine Lemke & Marit Wolters, Constanze Schweiger & Wiener Times, Christian Egger & Anna Hofbauer

curated by Terese Kasalicky and Heti Prack

Tombola is a travelling exhibition format initiated by Terese Kasalicky and Heti Prack. Teams of artists are invited to throw their themes and media into the raffle pot, which is then reshuffled and drawn. The conditions for new artworks are thereby set and the results exhibited.

Christian Egger and Anna Hofbauer: writing & you think you know what it means

Collaborations don’t work
They don’t work, they don’t work
Collaborations don’t work
They don’t work, they don’t work
Collaborations don’t work
They don’t work, they don’t work
I’m gonna do it all by myself
I’m gonna do it all by myself

FFS (Franz Ferdinand & Sparks), “Collaborations don’t work” from the album FFS (Domino), 2015.

 

 

Template Toaster, OSB panel, coated particleboard, text printed on A4 paper, Christian Egger / Anna Hofbauer, 2021

Template Segel, OSB panel, plywood panel, text printed on A4 paper, Christian Egger / Anna Hofbauer, 2021

Template Keil, OSB panel,Untersberger marble, text printed on A4 paper, Christian Egger / Anna Hofbauer, 2021

detail, Template Keil, OSB panel,Untersberger marble, text printed on A4 paper, Christian Egger / Anna Hofbauer, 2021

Other Works

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WORK AND COERCION

WORK AND COERCION

WORK AND COERCION

Stories of Work and Coercion: Scientific Contributions Depicted in Illustrations

Campus of the University of Vienna, 30 August – 3 September 2021

exhibition display: wood, reinforcement fabric, bast thread, cotton weight bags, 260 x 100 x 120 cm, 2021

The exhibition ‘Stories of Work and Coercion: Scientific Contributions Depicted in Illustrations’ intends to specifically point out the potential of the text-image relation for a multimedia historiography by introducing the illustrations of Dariia Kuzmych, Monika Lang and Tim Robinson. The visuals follow the scenarios developed by Anamarija Batista and Corinna Peres, based on academic texts by anthropologists and historians that were presented at the conference “Reconceptualising Wage Labour” 2020 in Budapest. The exhibition display, a rotating wooden drum, was developed by Anna Hofbauer.

WORK AND COERCION

Stories of Work and Coercion: Scientific Contributions Depicted in Illustrations

Campus of the University of Vienna, 30 August – 3 September 2021

exhibition display: wood, reinforcement fabric, bast thread, cotton weight bags, 260 x 100 x 120 cm, 2021

The exhibition ‘Stories of Work and Coercion: Scientific Contributions Depicted in Illustrations’ intends to specifically point out the potential of the text-image relation for a multimedia historiography by introducing the illustrations of Dariia Kuzmych, Monika Lang and Tim Robinson. The visuals follow the scenarios developed by Anamarija Batista and Corinna Peres, based on academic texts by anthropologists and historians that were presented at the conference “Reconceptualising Wage Labour” 2020 in Budapest. The exhibition display, a rotating wooden drum, was developed by Anna Hofbauer.

WORK AND COERCION, exhibition display: Anna Hofbauer, University of Vienna, 2021

WORK AND COERCION, exhibition display: Anna Hofbauer, University of Vienna, 2021

WORK AND COERCION, exhibition display: Anna Hofbauer, 2021, detail: Illustrations by Tim Robinson

WORK AND COERCION, exhibition display: Anna Hofbauer, 2021, detail: Illustrations by Dariia Kuzmych

WORK AND COERCION, exhibition display: Anna Hofbauer, 2021, detail: Booklet

WORK AND COERCION, exhibition display: Anna Hofbauer, 2021

WORK AND COERCION, exhibition display: Anna Hofbauer, 2021, detail: Illustrations by Monika Lang

WORK AND COERCION, exhibition display: Anna Hofbauer, 2021

Ein schöner Sinus

Ein schöner Sinus

Ein schöner Sinus

12 color slides, 6×6, 2020

Ein schöner Sinus (a beautiful sine) is part of the ongoing series “Vom Licht, das so in der Natur nicht vorkommt” (Of light that does not occur like this in nature).

The slides have been taken from laser projections regulated by  Bernhard Rasinger on the oscillators.

Ein schöner Sinus

12 color slides, 6×6, 2020

 Ein schöner Sinus (a beautiful sine) is part of the ongoing series “Vom Licht, das so in der Natur nicht vorkommt” (Of light that does not occur like this in nature).

The slides have been taken from laser projections regulated by  Bernhard Rasinger on the oscillators.

ein schoener sinus rot01, 6×6 color slide, 2020

ein schoener sinus rot02, 6×6 color slide, 2020

ein schoener sinus rot03, 6×6 color slide, 2020

ein schoener sinus rot04, 6×6 color slide, 2020

ein schoener sinus gruen01, 6×6 color slide, 2020

ein schoener sinus gruen02, 6×6 color slide, 2020

xxxein schoener sinus gruen03, 6×6 color slide, 2020

Anna Hofbauer

ein schoener sinus gruen04, 6×6 color slide, 2020

Anna Hofbauer

ein schoener sinus blau01, 6×6 color slide, 2020

ein schoener sinus blau02, 6×6 color slide, 2020

ein schoener sinus blau03, 6×6 color slide, 2020

ein schoener sinus blau04, 6×6 color slide, 2020

IN CASE OF AN AVALANCHE…

IN CASE OF AN AVALANCHE…

IN CASE OF AN AVALANCHE…

Stadtgalerie Lehen, Salzburg

07.08. – 24.09.2020

Cäcilia Brown,  Anna Hofbauer, Mikkel Holm Torp

Press release

Drink tea! Eat more fruit! Wash your hands!

Helping each other, discussing ideas, maybe developing a collective practice or working individually as well as preparing food and maintaining everyday life in the quarry are common ground.

Analogous to what they are aiming for in their course in the Untersberg quarry within the International Summeracademy Salzburg, Cäcilia Brown, Anna Hofbauer and Mikkel Holm Torp will approach the exhibition at Stadtgalerie Lehen in a “surf and turf” way of collaboration and combination – of rocks and waves.

IN CASE OF AN AVALANCHE…

Stadtgalerie Lehen, Salzburg

07.08. – 24.09.2020

Cäcilia Brown,  Anna Hofbauer, Mikkel Holm Torp

Press release

Drink tea! Eat more fruit! Wash your hands!

Helping each other, discussing ideas, maybe developing a collective practice or working individually as well as preparing food and maintaining everyday life in the quarry are common ground.

Analogous to what they are aiming for in their course in the Untersberg quarry within the International Summeracademy Salzburg, Cäcilia Brown, Anna Hofbauer and Mikkel Holm Torp will approach the exhibition at Stadtgalerie Lehen in a “surf and turf” way of collaboration and combination – of rocks and waves.

Anna Hofbauer, Mikkel Holm Torp, Caecilia Brown

IN CASE OF AN AVALANCHE, Stadtgalerie Lehen, Salzburg, 2020

IN CASE OF AN AVALANCHE, Stadtgalerie Lehen, Salzburg, 2020

IN CASE OF AN AVALANCHE, getoverit, slide show, 23 color slides, E6, 2012

Anna Hofbauer

klong, angle irons, aluminium thread, Ø 238 cm, 2019

wave, chicken wire, canvas, wallpaper paste, acrylics on canvas, 275 x 103 x 47 cm, 2019

windows of d.

windows of d.

windows of d.

short film, digital, 17 min, stereo, 2020

windows of D. starts with images of windows and curtains from inside a workers’ house in Hamtramck. The second chapter shows fences of a typical backside alley, followed by pictures of transit streets in the neighborhood. The film ends with portraits of abandoned workers’ houses in neighboring Detroit, where the windows are barricaded from the outside.

The sequence of pictures is interrupted by short clips of a second that show the editor’s hand putting the mounted slides in place on the light table.

On the soundtrack, the clicks of a carousel slide projector indicate the speed of the picture change. The initial correspondence of action between sound and image dissolves in the course of the film by the superimposition of different speeds of clicks on the audio track whereas the pace of the changing of the slides stays the same.

The photographs were taken during an artist residency in Hamtramck, MI in the summer of 2019.