ANNA HOFBAUER

countermeasure

countermeasure

countermeasure

Staatsatelier Wattgasse 56-60

Anna Hofbauer, Franz Amann

„Many things have certainly been surpassed. I’m perfectly aware of having continuously made shifts both in the things that have interested me and in what I have already thought. In addition, the books I write, constitute an experience for me that I’d like to be as rich as possible. An experience is some-thing you come out of changed.“ *

The intruder in the State Artists’ Building Franz Amann and Anna Hofbauer, the resident there, show forms between (re)construction, (re)measurement, defense, attack, construction, transformation and repair.

They perceive space as a web of possible experiences.

Experiences aim to initiate a movement in the subject to tear it away from itself.

Cracks create new spaces, make it possible to experience or overcome limits.

What happens as a result of the joint adaptation (design and conversion of Hofbauer’s studio) into an exhibition space?

In order to remain capable of shaping in a counterpart’s situation, it is necessary to discover these free spaces, which can also only open up through mutual destabilization.

 

* Michel Foucault: Remarks on Marx, conversations with Duccio Trombadori, 1978

Other Works

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countermeasure

Staatsatelier Wattgasse 56-60

Anna Hofbauer, Franz Amann

„Many things have certainly been surpassed. I’m perfectly aware of having continuously made shifts both in the things that have interested me and in what I have already thought. In addition, the books I write, constitute an experience for me that I’d like to be as rich as possible. An experience is some-thing you come out of changed.“ *

The intruder in the State Artists’ Building Franz Amann and Anna Hofbauer, the resident there, show forms between (re)construction, (re)measurement, defense, attack, construction, transformation and repair.

They perceive space as a web of possible experiences.

Experiences aim to initiate a movement in the subject to tear it away from itself.

Cracks create new spaces, make it possible to experience or overcome limits.

What happens as a result of the joint adaptation (design and conversion of Hofbauer’s studio) into an exhibition space?

In order to remain capable of shaping in a counterpart’s situation, it is necessary to discover these free spaces, which can also only open up through mutual destabilization.

 

* Michel Foucault: Remarks on Marx, conversations with Duccio Trombadori, 1978

Staatskünstlerinnenbau grün, Collage auf Papier, 29,5 x 23,5cm, 2023, Franz Amann / Anna Hofbauer

Teehaus, Staatskünstlerinnenbau grün, Osage simulacrum 2, Reminder/ Mario und Luigi im Staatskünstlerinnenbau

Osage simulacrum 2, director’s cut 2, defense 2, defense 1

defense 1, Osage simulacrum 1, Staatskünstlerinnenbau blau, director’s cut 2, director’s cut 1

defense 1, Osage simulacrum 1, Staatskünstlerinnenbau blau, director’s cut 2, director’s cut 1

Teehaus 203 x 135 x 200cm, 2023, Holz, Stahlfenster, Teekanne, Detroit Duck, House of Ghosts, Kathedrale, Franz Amann / Anna Hofbauer

Staatskünstlerinnenbau blau 29,5 x 41,5cm, 2023, Collage auf Papier, Franz Amann / Anna Hofbauer

Wand-Bau, Bei den Kiefern, Monte Grappa

Bei den Kiefern, Monte Grappa

Monte Grappa, S/W Kontaktblatt, 30,5 x 24,3cm, 2020, Anna Hofbauer

Bei den Kiefern, S/W Kontaktblatt, 30,5 x 24,3cm, 2020, Anna Hofbauer

director’s cut 1, Holz, Untersberger Marmor, Ø 117, h: 22cm,  2023, Anna Hofbauer

director’s cut 2, Holz, Untersberger Marmor, Krastaler Marmor, Ø 117, h: 17cm 2023, Anna Hofbauer

Reminder/ Mario und Luigi im Staatskünstlerinnenbau, Bleistift, Linoldruck, Farbstift auf Papier, 42 x 29,5cm, 2023, Franz Amann / Anna Hofbauer

Wand-Bau, Leinwand, Holz, Dispersion, Stein, 500 x 252 x 145cm, 2023, Franz Amann / Anna Hofbauer

Eisenstaub

Watt 2, Linoldruck auf Japanpapier, 22,7 x 30,4cm, Edition 20 Stück, 2023, Franz Amann / Anna Hofbauer

Watt 1, Linoldruck auf Japanpapier, 22,7 x 30,4cm, Edition 30 Stück, 2023, Franz Amann / Anna Hofbauer

Other Works

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Anna Hofbauer ANNA HOFBAUER

Anna Hofbauer ANNA HOFBAUER

Anna Hofbauer ANNA HOFBAUER

Kunstpavillon Nussdorf, Vienna, 19.06. – 02.07.2013

Gestatten, Hofbauer – wie wir sagen würden.

(Misha Stroj, 2013)

Zur Realisierung – also Bewusstwerdung – der eigenen, für ihn zweifelsfrei guten Natur empfiehlt der im fernen Osten wirkende Menzius konsequent dem Gefühl der Evidenz treu zu bleiben. Offensichtlich mit Leichtigkeit kommt ein Selbst zu sich.

Volltext

Anna Hofbauer ANNA HOFBAUER

Kunstpavillon Nussdorf, Vienna, 19.06. – 02.07.2013

Gestatten, Hofbauer – wie wir sagen würden.

(Misha Stroj, 2013)

Zur Realisierung – also Bewusstwerdung – der eigenen, für ihn zweifelsfrei guten Natur empfiehlt der im fernen Osten wirkende Menzius konsequent dem Gefühl der Evidenz treu zu bleiben. Offensichtlich mit Leichtigkeit kommt ein Selbst zu sich.

Volltext

Raumansicht, ANNA HOFBAUER Anna Hofbauer, Kunstpavillon Nussdorf, 2013

rider, Bronzevollguss, h: 20cm, 2012, Sockel, 22 x 24 x 140cm, Holz, Möbelplatte, 2013

belling, Bronzevollguss, h: 18cm, 2012, Sockel, 22 x 24 x 140 cm, Holz, MDF, Buntstift, 2013

belling, Bronzevollguss, Höhe: 18cm, 2012 

rider, Bronzevollguss, h: 20cm, 2012

Ohne Abstand und Ohne Kontakt ist kein Objekt möglich, s/w Silbergelatinprint, 14 x 21,5cm, 2012

Ohne Abstand und Ohne Kontakt ist kein Objekt möglich, belling

getoverit, KB-Farbdiaprojektion, 23 Bilder, 2012

folder ANNA HOFBAUER Anna Hofbauer, Grafik: Dominik Hruza

Blackbridge OFF空间

Blackbridge OFF空间

Blackbridge OFF空间

©2018 Anna Hofbauer, Bianca Regl

Verlag für moderne Kunst

authors: Ami Barak, Meta Marina Beeck, Katerina Černy, Bao Dong, Sebastian Gladstone, Manuela Lietti, Carol Yinghua Lu, Lü Jingjing, Clemens Roesch, Matthias Schamp, Paul Smith, Marcus Steinweg, Tim Stüttgen

This publication offers a comprehensive look at the exhibition space BLACKBRIDGE OFF空间’s eight years of operation in the Heiqiao district of Beijing, from 2010 until the demolition of the area in 2017.

It is a collection of texts and images from this time, extending from an overview of the area to the work of the invited artists and the exhibitions they realized in the Heiqiao venue.

 

540 pages

English / Mandarin

graphic design: Dominik Hruza studio, Vienna

printed by BALTO print, Vilnius

on Munken Kristall 120g/m2

ISBN 978-3-903228-46-7

Blackbridge OFF空间

©2018 Anna Hofbauer, Bianca Regl

Verlag für moderne Kunst

authors: Ami Barak, Meta Marina Beeck, Katerina Černy, Bao Dong, Sebastian Gladstone, Manuela Lietti, Carol Yinghua Lu, Lü Jingjing, Clemens Roesch, Matthias Schamp, Paul Smith, Marcus Steinweg, Tim Stüttgen

This publication offers a comprehensive look at the exhibition space BLACKBRIDGE OFF空间’s eight years of operation in the Heiqiao district of Beijing, from 2010 until the demolition of the area in 2017.

It is a collection of texts and images from this time, extending from an overview of the area to the work of the invited artists and the exhibitions they realized in the Heiqiao venue.

 

540 pages

English / Mandarin

graphic design: Dominik Hruza studio, Vienna

printed by BALTO print, Vilnius

on Munken Kristall 120g/m2

ISBN 978-3-903228-46-7

wo waren wir stehen geblieben… MONUMENTO

wo waren wir stehen geblieben… MONUMENTO

wo waren wir stehen geblieben… MONUMENTO

b/w contact sheets, 24,3 x 30,5 cm, 2022

wo waren wir stehen geblieben… MONUMENTO

b/w contact sheets, 24,3 x 30,5 cm, 2022

Wo waren wir stehen geblieben, Monumento, arounddeblock, b/w contact sheet, 24,3 x 30,5 cm, 2022

Wo waren wir stehen geblieben, Monumento, jardines de descubrimiento, b/w contact sheet, 24,3 x 30,5 cm, 2022

Wo waren wir stehen geblieben, Monumento, Olula del Rio, b/w contact sheet, 24,3 x 30,5 cm, 2022